Welcome to the article four in the ESP Series, a deep dive into DAW Remote and ESP Control. If you missed any of the previous articles in the series find them linked below:
DAW Remote turns your MONTAGE M/MODX M into a hands-on controller for Cubase, Logic Pro, Pro Tools and Live. I’ll be working with Cubase in this article, but the functionality is similar between different DAWs. When paired with ESP you can control the full synth engine from the MONTAGE M/MODX M, automate parameters, and move fluidly between MONTAGE M/MODX M and ESP versions of the same sound. Let’s break down each DAW Remote section—including where to configure Remote settings in Cubase—then explore ESP Control and how to customize it with MIDI Learn.
First, set up MONTAGE M/MODX M as a remote device in Cubase. Here’s how:

DAW Remote is accessed directly from the MONTAGE M/MODX M front panel using the [DAW REMOTE] button. Here’s an overview of the four primary control modes:

You can use the Part Buttons on MONTAGE M and MODX M to select DAW tracks, the faders to adjust track volume and the knobs to adjust pan position. Additionally, you can:

You can completely customize control for your favorite virtual instruments with Plugin control. Set specific CC numbers for faders and knobs, and configure buttons for latch or momentary behavior. See the screenshots below:



ESP Control turns the entire front panel of MONTAGE M and MODX M into a special control layer whenever ESP is the focused plugin in Cubase. Here’s how the MONTAGE M front panel interacts with the plugin when ESP Control engaged:

MODX M works in a similar fashion:

ESP Control is set to work like the hardware in many ways and adds specific workflow operations between ESP and MONTAGE M/MODX M.
Cubase and ESP both support MIDI Learn, letting you customize assignable controls to specific ESP Parameters. Open assignable controls include:
ESP MIDI Learn is easy to set up. In the example below I chose the Preset Performance Vari Pad 1, a single Part FM Performance. Check out the image below:

Vari Pad 1 uses Algorithm 67. Operators 1,3,5 and 7 are modulators and Operators 2,4,5 and 8 are carriers. Assigning Operator level control to the modulators will give me cool real time control over the timbre of the sound. Here’s how I set up level control using MIDI Learn:
Now I want to assign the three FM Color parameters—FM Depth, FM Harmonics and FM Texture—to Display Knobs 5 & 6 and, since I’m using MONTAGE M, Aftertouch. I just repeat the same process listed above and that’s it. Here’s my completed MIDI Learn assignment:

The last step is to save this as a custom Performance in ESP. Note that if I synchronize this Performance with MONTAGE M the Display Knobs assignments will not transfer because they are used for hardware navigation. It’s not an issue as all the parameters above are accessed in Quick Edit with the physical knobs and sliders.
The full DAW Remote environment supports multiple workflows within a single session. Here’s a streamlined overview of each control mode:
In the next article, I’ll show you how to move ideas from the MONTAGE M/MODX M Performance Sequencer into Cubase using ESP Song/Pattern Import.
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