Mastering MONTAGE: The 4-Track Arpeggio

Mastering MONTAGE: The 4-Track Arpeggio
"User Arpeggios can be made from 4 MIDI Tracks" - this is often a misunderstood statement. We receive many questions on creating your own Arpeggio patterns. In this article, we will shed some light on the nature of how some of the arpeggios are made with the MONTAGE.  
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What is MONTAGE Connect?

What is MONTAGE Connect?
MONTAGE Connect is a convenient tool that allows the transfer of data between your computer and the MONTAGE. Learn more in this first article in a series from Blake about how the MONTAGE Connect helps you better integrate a MONTAGE Music Synthesizer with a computer based DAW (Digital Audio Workstation) like Cubase.

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100 Hits

Mastering MONTAGE: Using MONTAGE Category Search

Mastering MONTAGE: Using MONTAGE Category Search
There are three separate types of SEARCH for sounds (PARTS): "Performance Category Search", "Performance Merge" and "Part Search" included in your MONTAGE - and the results can be in blue and/or green. Confusing? Let our own Bad Mister clarify for you. In this article he'll explain why and how Performance Category Search can help you "know" what you are looking at when you use this most powerful MONTAGE feature.
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73 Hits

Mastering MONTAGE: Audio Rec on DAW, Part II

Mastering MONTAGE: Audio Rec on DAW, Part II
There was so much good to share from Bad Mister's last article on audio recording with your MONTAGE "CUBASE SETUP GUIDE WORKFLOW: AUDIO REC ON DAW", it has a second part!
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71 Hits

Mastering MONTAGE: MIDI Rec on DAW

Mastering MONTAGE: MIDI Rec on DAW
This continues our mini-seres on MONTAGE Cubase and helping you get the best out of your MONTAGE. If you have not already, please read the first article in this series:"MONTAGE Cubase Setup Guide: Getting Started"

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67 Hits

Mastering MONTAGE: Audio Rec on DAW, Part I

Mastering MONTAGE: Audio Rec on DAW, Part I
Continuing the mini-series on working with your MONTAGE and Cubase with the latest installment focusing on high quality digital audio recording.
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84 Hits

Mastering MONTAGE: ARP Rec on DAW

Mastering MONTAGE: ARP Rec on DAW
This next lesson in our mini-series on MONTAGE with Cubase continues with Bad Mister introducing an Arpeggio into your recording. 
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73 Hits

Mastering MONTAGE: Arpeggio Making 101, Part II

Mastering MONTAGE: Arpeggio Making 101, Part II
In the first installment we took a look at the Convert Types and how they dealt with musical phrases. This time we'll start with a look at how the Convert Types deal with chordal passages.
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86 Hits

Mastering MONTAGE: Arpeggio Making 101, Part I

Mastering MONTAGE: Arpeggio Making 101, Part I
Creating arpeggios for general use is an art. This series of articles will prepare you for making your own arpeggio data with MONTAGE. Knowing the rules will allow you to bend them – fighting the rules only leads to frustration. Creating your own arpeggios can be fun and rewarding. So let's begin with Arpeggio Making 101 . . . 
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73 Hits

Mastering MONTAGE Article Series

Mastering MONTAGE Article Series
The MONTAGE synthesizer is an amazing instrument - from producing EDM to designing specific sounds for a film – or as a creative outlet for your audio dreams. It is also a powerful piece of music technology which requires some practice and guidance to leverage fully its capabilities. To help you make the most of your MONTAGE, Yamaha's own Bad Mister has provided this deep diving "Mastering MONTAGE" series. If you have not had an opportunity to learn from this master musician and synthesizer guru, check out his recently completed 14-part series:
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66 Hits

Mastering MONTAGE: Assignable Knob Study

Mastering MONTAGE: Assignable Knob Study
Taking a closer look at how the Assignable Knobs and Super Knobs work within the "CFX Concert" and "Imperial Grand Piano" Performances of the MONTAGE.
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66 Hits

Mastering MONTAGE: Performance Basics and the Live Set II

Mastering MONTAGE: Performance Basics and the Live Set II
In the first installment of this series, we discussed several different configurations of PERFORMANCES for your MONTAGE. Here you will use what you learned (and created!) to take a closer look at putting together your own LIVE SETs. A Live Set is designed to give you access to your MONTAGE configurations when you are performing, thus the name, LIVE SET. Let's get started . . . 
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Mastering MONTAGE: Motion Sequence Study

Close-up look at Motion Sequence PERFORMANCE: "Pad Pulsations" - 3 Parts, where the Motion Sequence Lanes are controlling Filter Cutoff and Element Pan.
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11 Hits

Mastering MONTAGE 13: Assign Switches 1 & 2

Mastering MONTAGE 13: Assign Switches 1 & 2
Bad Mister wraps up this "deep dive" into the functionality of the MONTAGE with lucky lesson #13.
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68 Hits

Mastering MONTAGE: Performance Basics and the Live Set 1

Mastering MONTAGE: Performance Basics and the Live Set 1
We are kicking off this "Snorkel Level" series (for all MONTAGE users regardless of experience level) with the creative use of Performances and Live Sets.

There are some 1920 Preset Performances in MONTAGE. The USER area can store 640 of your own Performances. A set of 640 Performances can be placed in a Library. There can be eight Libraries - each containing as many as 640 Performances - resident on your MONTAGE. So let's get started!
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4618 Hits

Multi Part / Multi Dimensional Control

A Word about linking 8 PARTS together in a PERFORMANCE
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Mastering MONTAGE: Getting Started

Mastering MONTAGE: Getting Started
Just got your new MONTAGE? You're new to synthesizers? Or you're an old hand at synthesizers, even owned a Motif? Here are some quick suggestions on what to do first...
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133 Hits

Mastering MONTAGE: Getting Started with Cubase

Mastering MONTAGE: Getting Started with Cubase
This begins a new "how-to" mini-series from Bad Mister to help you get the most from your MONTAGE. Learn more here about MONTAGE and Cubase.
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91 Hits

Mastering MONTAGE: Montage USER and LIBRARY Files

Montage User Files and Library Files, know which to use and when.
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38 Hits

Mastering MONTAGE 12: Motion Sequence

Mastering MONTAGE 12: Motion Sequence
Motion Sequences are tempo-synchronized, completely customizable control sequences which can be assigned to virtually any synthesizer parameter - and provide incredibly creative new ways of programming sound. In this lesson from our own Bad Mister, learn more about how the Motion Sequence dedicated controls on the front panel make it easy to manipulate and change in real-time, providing incredible interactivity and expression.
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91 Hits
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