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An FM Synthesis Programming Tutorial focusing on the Yamaha reface DX architecture - Lesson 6

Hopefully with the articles so far, you've been able to gain a reasonable understanding and 'ear experience' with how FM synthesis behaves. This article is going to put together many of the concepts discussed prior in this series and take a little deeper dive into FM than in the previous articles. We are going to do this as we go into another area where FM synthesis is very effective and powerful – lead sounds.
This is an advanced tutorial for MONTAGE users. If you haven't had a chance yet, it might be useful to look at the "Mastering MONTAGE: Getting Started" article. MONTAGE works differently than other electronic instruments and learning more about the different ways it can be used will help you get the most out of this tutorial - and more importantly, from your instrument.

An FM Synthesis Programming Tutorial focusing on the Yamaha Reface DX architecture - Lesson 5

For this installment, I'm going to discuss another area where FM synthesis is very versatile across the wide spectrum of musical styles – Bass sounds. From the Bass 1 and Fretless presets in the original DX7 to the LatelyBass and SolidBass patches in the TX81Z & DX100, the legacy of FM for Bass sounds is well known. So, starting from the "bottom up" as it were, let's build some Bass sounds.
In this second lesson of this series on how the MONTAGE Connect helps you better integrate a MONTAGE Music Synthesizer with a computer based DAW (Digital Audio Workstation) like Cubase, you will be learning about how to create User Arpeggio drum grooves on your MONTAGE. (If you haven't had an opportunity, I highly recommend that you begin by reading the first article of this series "What is MONTAGE Connect".)

An FM Synthesis Programming Tutorial focusing on the Yamaha Reface DX architecture - Lesson 4.

For this article, I'm going to delve into an area where FM synthesizers like the Reface DX are especially versatile -- the creation of pad sounds. Because of the amount of harmonic (overtone) content that can be created by even just a single modulator, FM synthesis is capable of creating a vast array of evolving and shifting pad sounds and timbres. The first place to start in constructing your pad sound is the Algorithm – which one to choose?
The Performances that have "Swell" in the name represent something different and unique about programming and controlling the MONTAGE. If you don't have an FC7 pedal plugged in and acting as your surrogate Super Knob, you'll miss out on this magical performing innovation. So plug in your FC7 pedal and learn more below.