MONTAGifying Motif: FREE FALL

In response to many request for Motif XF Performances - We have converted the Performance "Free Fall" It also makes for a great chance to study how Mega Arpeggios work. Here we will take a close-up look at a Guitar Mega (Mg) Arpeggio and discover what makes it tick.
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  2015 Hits
2015 Hits

POWER USER: Ethernet

POWER USER: Ethernet

This article will help you setup your XF to your computer via Ethernet.

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  2120 Hits
2120 Hits

Yamaha MX49/MX61 Cubase (Win) Computer

Yamaha MX49/MX61 Cubase (Win) Computer
Setup your MX49/MX61 BK/BU/WH and MX88 with Cubase on your Windows computer. This article is applicable to both the original MX series and the MX49/61 BK/BU/WH and MX88.
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  2604 Hits
2604 Hits

Sampling Basics on the Motif XS

Sampling Basics on the Motif XS
Learn how to sample audio to your XS
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  6514 Hits
6514 Hits

Moving a MOXF SONG to Cubase

Moving a MOXF SONG to Cubase
QUESTION: I'd like to bring my Song's MIDI tracks into Cubase on individual MIDI tracks
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  1925 Hits
1925 Hits

MX Study: Synthesizer Basics with the MX

MX Study: Synthesizer Basics with the MX
Let's take a close look at the synthesizer sound engine and a look inside the Melas Voice Editor
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  9776 Hits
9776 Hits

MX Study: More Synth Basics

MX Study: More Synth Basics
Last time we began our look into synthesis by exploring a Sawtooth source wave, let's begin this time with the other very common "analog" wave, the Pulse wave.
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  1175 Hits
1175 Hits

Mastering MONTAGE: Performance Basics and the Live Set 1

Mastering MONTAGE: Performance Basics and the Live Set 1
We are kicking off this "Snorkel Level" series (for all MONTAGE users regardless of experience level) with the creative use of Performances and Live Sets.

There are some 1920 Preset Performances in MONTAGE. The USER area can store 640 of your own Performances. A set of 640 Performances can be placed in a Library. There can be eight Libraries - each containing as many as 640 Performances - resident on your MONTAGE. So let's get started!
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  2287 Hits
2287 Hits

Mastering MONTAGE: Orchestral Brass Swell

Mastering MONTAGE: Orchestral Brass Swell
The Performances that have "Swell" in the name represent something different and unique about programming and controlling the MONTAGE. If you don't have an FC7 pedal plugged in and acting as your surrogate Super Knob, you'll miss out on this magical performing innovation. So plug in your FC7 pedal and learn more below.
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  5217 Hits
5217 Hits

Mastering MONTAGE: Assignable Knob Study

Mastering MONTAGE: Assignable Knob Study
Taking a closer look at how the Assignable Knobs and Super Knobs work within the "CFX Concert" and "Imperial Grand Piano" Performances of the MONTAGE.
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  7380 Hits
7380 Hits

Mastering MONTAGE: Three Way Super Knob Transition

Mastering MONTAGE: Three Way Super Knob Transition
Want to know how to switch between PARTS in a hands free fashion with your MONTAGE? In this lesson from Bad Mister, add three PARTS switched via Foot Controller/Super Knob to your repertoire of skills. Feel free to expand on this with sounds of your own choosing. Check it out below!
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  4907 Hits
4907 Hits

Mastering MONTAGE: The 4-Track Arpeggio

Mastering MONTAGE: The 4-Track Arpeggio
"User Arpeggios can be made from 4 MIDI Tracks" - this is often a misunderstood statement. We receive many questions on creating your own Arpeggio patterns. In this article, we will shed some light on the nature of how some of the arpeggios are made with the MONTAGE.  
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  8635 Hits
8635 Hits

Mastering MONTAGE: Using MONTAGE Category Search

Mastering MONTAGE: Using MONTAGE Category Search
There are three separate types of SEARCH for sounds (PARTS): "Performance Category Search", "Performance Merge" and "Part Search" included in your MONTAGE - and the results can be in blue and/or green. Confusing? Let our own Bad Mister clarify for you. In this article he'll explain why and how Performance Category Search can help you "know" what you are looking at when you use this most powerful MONTAGE feature.
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  7091 Hits
7091 Hits

Mastering MONTAGE: Audio Rec on DAW, Part II

Mastering MONTAGE: Audio Rec on DAW, Part II
There was so much good to share from Bad Mister's last article on audio recording with your MONTAGE "CUBASE SETUP GUIDE WORKFLOW: AUDIO REC ON DAW", it has a second part!
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  7598 Hits
7598 Hits

Mastering MONTAGE: MIDI Rec on DAW

Mastering MONTAGE: MIDI Rec on DAW
This continues our mini-seres on MONTAGE Cubase and helping you get the best out of your MONTAGE. If you have not already, please read the first article in this series:"MONTAGE Cubase Setup Guide: Getting Started"

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  14500 Hits
14500 Hits

Mastering MONTAGE: ARP Rec on DAW

Mastering MONTAGE: ARP Rec on DAW
This next lesson in our mini-series on MONTAGE with Cubase continues with Bad Mister introducing an Arpeggio into your recording. 
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  12139 Hits
12139 Hits

Mastering MONTAGE: Audio Rec on DAW, Part I

Mastering MONTAGE: Audio Rec on DAW, Part I
Continuing the mini-series on working with your MONTAGE and Cubase with the latest installment focusing on high quality digital audio recording.
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  12886 Hits
12886 Hits

Mastering MONTAGE: Arpeggio Making 101, Part II

Mastering MONTAGE: Arpeggio Making 101, Part II
In the first installment we took a look at the Convert Types and how they dealt with musical phrases. This time we'll start with a look at how the Convert Types deal with chordal passages.
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  9300 Hits
9300 Hits

Mastering MONTAGE: Arpeggio Making 101, Part I

Mastering MONTAGE: Arpeggio Making 101, Part I
Creating arpeggios for general use is an art. This series of articles will prepare you for making your own arpeggio data with MONTAGE. Knowing the rules will allow you to bend them – fighting the rules only leads to frustration. Creating your own arpeggios can be fun and rewarding. So let's begin with Arpeggio Making 101 . . . 
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  18106 Hits
18106 Hits

Mastering MONTAGE: Performance Basics and the Live Set II

Mastering MONTAGE: Performance Basics and the Live Set II
In the first installment of this series, we discussed several different configurations of PERFORMANCES for your MONTAGE. Here you will use what you learned (and created!) to take a closer look at putting together your own LIVE SETs. A Live Set is designed to give you access to your MONTAGE configurations when you are performing, thus the name, LIVE SET. Let's get started . . . 
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  14230 Hits
14230 Hits
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