Loading the MOTIF XF Chick Corea Mark V to a MOXF

Motif XF File formats .X3A or .X3V
MOXF File formats .X6A or .X6V

There is VOICE compatibility between the MOXF and the Motif XF. This is true even though they do not share the same number of Banks. The Motif XF has four USER Voice Banks, while the MOXF has but three. This means you cannot just load ALL data from the Motif XF to the MOXF. The products are indeed different. Data that is stored in a Motif XF File in the User 4 folder, must be redirected to one of the available Banks of the MOXF. Here are some of the basics you need to be aware of:

Motif XF __ MOXF VOICE Mode
PRESET 1 __ PRESET 1
PRESET 2 __ PRESET 2
PRESET 3 __ PRESET 3
PRESET 4 __ PRESET 4
PRESET 5 __ PRESET 5
PRESET 6 __ PRESET 6
PRESET 7 __ PRESET 7
PRESET 8 __ PRESET 8
________ __ PRESET 9
USER 1 _ __ USER 1
USER 2 _ __ USER 2
USER 3 _ __ USER 3
USER 4 _ __ N/A

Fortunately, when loading data from a Motif XF ALL data (.X3A) or ALL VOICE (.X3V) File, you an opt to load individual Voices or redirect an entire Bank of 128 to any available target Bank In your MOXF. The MOXF is able to read and extract specific types of data from Motif XF Files. This is covered in the REFERENCE MANUAL on page 157.

As it points out not every Type of data will be loaded… If you attempt to LOAD a file created for the Motif XF. Only Voice, Performance, Arpeggio, Mix Template, and Waveform data can be extracted from a Motif XF File. And from the SEQUENCER (Song/Pattern) files only the Waveform data that was recorded using the Motif XF’s INTEGRATED SAMPLING SEQUENCER will be loaded to the MOXF. The actual sequencer track data must be transferred via Standard MIDI File (SMF) in a .MID file.

FLASH BOARD Slots:
The Motif XF has Flash expansion capability of two boards; 2048 Waveforms per Board, 4096 Waveforms total.
The MOXF has one Flash expansion slot; 2048 Waveforms total.

VOICE Bank Locations:
The Motif XF has one more USER bank than the MOXF. The Motif XF can hold 512 USER VOICE, the MOXF can hold 384. Therefore, if you are loading data created for a Motif XF you must follow instructions and learn to redirect the VOICES you want to the Banks and locations you want to place them In your MOXF.

VOICES: Waveforms and Samples
We will state this here because it is the KEY to understanding this whole thing: a VOICE is the individual playable sound in the Yamaha Music Production synthesizer. A Voice is made up of three main building blocks: an Oscillator section, a Filter section, and an Amplifier section. The sound source is the Oscillator, which in the case of the Motif XF and MOXF is always based on a digital audio recording (sample). Sampled audio is stored in memory and is recalled when you play a Voice. This data is stored at a sample rate of 44,100 samples per second. By far the largest data is this sampled audio. Literally, hundreds of individual samples can be used to recreate a single VOICE. And this data can be quite large in size. This is why it is “burned” to the Flash Board so that each time you want to access it, you do not have to wait several minutes for it to load.

When you recall a VOICE like the Full Concert Grand Piano (which is stored as a Preset Voice) the Voice data knows where to “look” to find the appropriate Waveform (audio) data. The hundreds of Samples that are used to recreate this 9-foot Concert Grand are organized by several Waveforms that have a permanent numbered location. Even if you STORE edited versions of the Full Concert Grand to a number of USER Voice Bank locations, the Voice data will always “know” where to find the Waveforms and Samples that will make it sound properly.

The VOICE can be relocated, the data will always “point to” the correct Waveform location! What you will be doing when you install (burn) data to the Flash Board, is giving the Waveforms of the Voices you Load a semi-permanent numbered location on your Flash Board. This way any time you load the Voice data from one of YOUR files, all the instructions about where the Waveforms are to be found is there… This is how YOUR instrument “knows” how to find it without you having to wait for the audio to load.

Waveforms on your FLASH BOARD cannot be overwritten. Not by mistake, and not on purpose. The only way to remove an installed Waveform (and the Samples that it organizes) is to DELETE it or FORMAT the BOARD.

INFORMATION About the FILE
The Chick Corea Mark V Rhodes sound is made up of the following data:
Approx 400MB of data total – this requires the majority of a 512MB board and about 40% of a 1GB Board.

5 Waveforms
487 Keybanks (samples)
Total VOICES = 16

VERY IMPORTANT INFORMATION
The original data for this Electric Piano sound for the Motif XF was housed in USER 4 bank of the file – so you cannot just blindly load the data without knowing where it is or where you are going to put it. This is what stumps 98% of the people the first time they attempt this. They do not realize that you have to know where the data originates and where the data is going to go. If you do not, prepare to be LOST!!!!

How can you know where the original Voices are coming from (which Bank)? Read the included documentation that comes with the File. The person who created the original File (for the Motif XF) determines which USER Bank they are contained in. The File will contain five Folders, one for each USER Bank, as follows:
USER 1 – contains 128 normal Voices
USER 2 – contains 128 normal Voices
USER 3 – contains 128 normal Voices
USER 4 – contains 128 normal Voices
UDR – contains 32 drum kit Voices

_ “Chick’s MarkV DCPv3.n2.X3A” is the name of the File as it appears in the Motif XF… the name will be truncated to fit the MOXF screen dynamics: “Chick’~1.X3A” is the file name as seen in the screen of your MOXF. 

Load via “1 BANK VOICE” Method

According to the included instructions, the Chick Corea Mark V Rhodes Voices are located in the FILE at the following location:
USER 4 Voices: 001-016.

_ Place the “Chick’~1.X3A” File in the root directory of a USB stick that you use with your MOXF.

Press [FILE]
Set the File TYPE = 1 BANK VOICE
Highlight the Chick’~1.X3A file
Mark the box “[x] With Sample”

1BankwWavfm

We will redirect the load intended for the Motif XF’s USER 4 bank to USER 1, 2 or 3 of your MOXF. (As explained above, the MOXF has no USER 4 bank, necessitating this redirection)

Press [ENTER]
You will see the 5 Folders of the original FILE
Highlight “USER 4” in the column on the right side (It contains the 16 new Voices)

USR4 USR1

Move the cursor to the LEFT and set the target as USR1, USR2 or USR3 in your internal MOXF. (USR1 is shown)
Press [SF1] EXEC to execute

This will load all the VOICES from USER 4 Bank of the FILE to your MOXF USER Bank 1. When 
loading this Library with Waveforms it will take approximately 40 minutes to “burn” the data to a Flash Board. Once you determine that you will “keep” a Waveform set, you never have to wait for this data to transfer Again. The initial installation is a lengthy process. This is normal.

Now that you have customized your WAVEFORM data on your FLASH BOARD, you must make a BACKUP file of your data. The fact that you redirected the Chick Corea data to your Flash board, needs to be documented in a MOXF ALL data file to back up your work. Do so.

From now on you would use your file (not the Motif XF File).

Alternate Method: Loading Individual VOICES from an ALL data File

The most efficient way for a MOXF Owner to load this Motif XF data is as follows:
Place the .X3A File in the root directory of a USB stick that you use with your MOXF.
Decide ahead of time which 16 VOICES you wish to overwrite in your current USER 1, USER 2 or USER 3 banks. When you first encounter a MOXF, data in USER 1, 2 and 3 Banks are simply repeats of data found elsewhere in the Presets Banks… So feel free to overwrite any of these locations.

The Chick Corea Mark V Rhodes Voices are located in the FILE at the following location:
USER 4 Voices: 001-016.

Lets say you decide to load the VOICE data to the first 16 locations of USER 1 in your MOXF.

What this means in layman’s terms:

Data in the Motif XF FILE originating at USER 4:001(A01) will be directed to USER 1:001(A01).
This can be done one VOICE at a time as follows:

__SOURCE__ -> DESTINATION
USER 4:001 -> USER 1:001
USER 4:002 -> USER 1:002
USER 4:003 -> USER 1:003
USER 4:004 -> USER 1:004
USER 4:005 -> USER 1:005
USER 4:006 -> USER 1:006
USER 4:007 -> USER 1:007
USER 4:008 -> USER 1:008
USER 4:009 -> USER 1:009
USER 4:010 -> USER 1:010
USER 4:011 -> USER 1:011
USER 4:012 -> USER 1:012
USER 4:013 -> USER 1:013
USER 4:014 -> USER 1:014
USER 4:015 -> USER 1:015
USER 4:016 -> USER 1:016

Press [FILE]
Press [F3] LOAD
Set TYPE = VOICE
Move the CURSOR into the DIRECTORY (right side of the screen) and highlight the CHICK’~1.X3A file

Chick wWave

Make sure the “WITH WAVEFORM” is marked.
Press [ENTER] to ‘open’ the FILE
You will see the five FOLDERS: USER 1, USER 2, USER 3, USER 4, USER DRUM
Highlight the “USER 4” Folder (The unique VOICE data for this Library is contained in the USER 4 Folder)

1VoiceUSR4 1

Press ENTER to view data in the Motif XF USER 4 FOLDER… you will see a list of 128 VOICES that occupy the File’s USER 4 Folder.

The Chick Corea Mark V Rhodes Voices occupy the first 16 locations.

Highlight the first Voice in the list: “Chick’s Mark V”
Move the cursor to the LEFT side and select the Target DESTINATION
Set the Destination to USER 1:001

Load1Usr001

Press [SF1] EXEC to execute.

The VOICE will be loaded to USER 1:001(A01) of your internal MOXF – overwriting the current data in “USR1:001(A01) Everlasting Glory”
The VOICE data will be placed into USER 1:001(A01) and the Waveform and its Samples will be installed on your Flash Board (The Voice data will be converted to MOXF format, then the audio data will be installed.

The installation of audio to the FLASH BOARD will take some time for the first Voice: Approximately 40 minutes!!!)… Please use this time to either relax or do another activity: A watched pot seems to take much longer to boil than if you get involved with something else during this time. The screen will indicated that data is being installed on the Flash Memory Expansion Module. Do not interrupt it. Do not conclude it is not working. DO note the time on the clock – 40 minutes will seem like forever only if you are watching the pot boil. All 16 of the Chick Voices use this same data – so the other Voices will take only seconds to load. Be patient. Flash does mean quick – but it does not refer to this BURNING (installation process). Flash means quick in that when you press a key and demand as many as 128 channels of audio from any of these samples, the MOXF’s Flash Board will access this data in nanoseconds… in a flash.

When complete (all 400MB of Waveforms/Samples will be installed),
You can setup to load the second VOICE…  Simply move the cursor to the LIST on the Right and select “002”; Then move the cursor to the Left side and set the target to USR1:002(A02).

Load1Usr002

Since the Waveforms and Samples are already in place (and your MOXF “knows” it) this second Voice will load very fast, as will the rest of them… 

An important thing to learn here is:
Because the data is all coming from the same Source File, the MOXF knows that the second Voice uses the same Waveforms and Samples as the first Voice and does not duplicate its work, it simply repoints the second Voice to the same Waveform List location it placed the data of the first Voice. So the VOICE parameters load in about 2 seconds. What this means is anytime you need a VOICE that uses the Chick Corea data, that data is semi-permanently installed on your FLASH BOARD. This means loading VOICEs you made that use that data will only take sesonds… not minutes.

Continue to direct the USER 4 Voices to the corresponding locations in USER 1 of your MOXF… 003 to USR1:003(A03) and so on.

Load1Usr003

POST SCRIPT:
When you have loaded all 16 of the Voices and played each to verify they are sounding properly, make a BACKUP ALL data file (.X6A) – this is critical and the most important step… Because not only is this now going to make a fully compatible MOXF file, it will contain unique information about exactly where it placed your Waveforms!

You will no longer use the Motif XF (.X3A) file. By creating a new File, it will be in native MOXF file format which will allow you to have the proper number of USER Folders for your instrument. Every ALL data (.X6A) and/or ALL VOICE data (.X6V) you create will automatically include YOUR unique Waveform List. Even if you opt to Save “without Samples”, the Waveforms (instructions for where to find the Samples) are always written to the file. Because the Sampled audio is archived (burned) to the Flash Board, loading in just the Voice data is quick and efficient.

Behind the Synth: Chuck Leavell

Chuck Leavell has played piano, keyboards and sang background vocals with The Rolling Stones since 1982. He’s also worked with The Allman Brothers Band, Eric Clapton, George Harrison, The Black Crowes, Blues Traveler, Train, John Mayer and many others. His latest album is a tribute to blues piano players entitled “Back To The Woods”. Read our exclusive interview to learn more about his life, influences, and what he loves about Yamaha keyboards. Comments and questions are welcome in the discussion forum post here.

yamahasynth.com: When did you start playing keyboards/piano?

Chuck Leavell: I learned from my mother. She was not a professional or a teacher, but she could play and would sometimes entertain our family playing pop and standard tunes. I was the youngest of three kids, and when I was six, seven years old, often times it would be just me and mom in the house. My Dad would be out working and my older brother and sister either in school longer than I was in the daylight hours, or out doing extra curricular activities. I loved to listen to her play…loved watching her hands glide up and down the keyboard…loved hearing the melodies and rhythms. Sometimes she would show me some simple chords or melodies and encourage me to fool around while she went about her housework. Eventually I got the hang of it and just kept pursuing the instrument. One thing she did that I am forever grateful for is that she would say things like…”Chuck…what would it sound like if there was a big storm outside?”….I would bang around the low end for thunder, do some lightning strikes on the upper end. Or she might say….”Chuck, what would it sound like if you hit a home run?….if you had a fight with your friend?”….those kinds of things made me approach music in terms of feelings, colors, images and not just notes and chords. Thanks, mom!

ys.com: Who are your influences?

CL: Mom was my first…but eventually players like Nicky Hopkins, Elton John, Leon Russell, and the biggie was Ray Charles. I got to play with him once in Rome, Italy. He is still my hero! But along the line there have been many others….the last record I did was called “Back To The Woods: A Tribute to the Pioneers of Blues Piano”. I covered guys like Otis Spann, Little Brother Montgomery, Leroy Carr and many others. While I would never call myself a jazz player, I love listening and learning from players like Bill Evans, Dave McKenna, Art Tatum, Chick Corea, Herbie Handcock, Keith Jarrett….so many great players out there!

ys.com: What was the first Yamaha keyboard you wanted?

CL: Well, in the “Synth Days” it would be the DX7. I fooled around with synths for a few years and sometimes still do…but I’ve always gravitated back to the piano and organ and sometimes vintage keys. What really got my attention was Yamaha’s digital pianos…going back to the P-series and eventually the CP-series and now the new CP4. They had the most realistic reproduction of the acoustic and grands.

ys.com What was your first Yamaha keyboard?

CL: DX7…it was the Flagship of its time for sure.

ys.com Which Yamaha keyboards (or other Yamaha equipment) do you currently use?

CL: I’m so impressed with the CP4, and that is what I m using as my main instrument with the Stones and other artists…and on my solo gigs with my band. Great, great piano sounds and some other bonus sounds like vintage tone and reed instruments, strings…love it! But I also love the CP series…especially the CP300…again, great piano sounds and the built in speakers are really useful. I have a few of them scattered around…in my office next to my desk, in our second home in Savannah, GA., in our guest house in our main residence in Bullard, GA. They take up little space and it is so cool to just swing around from my office chair and put my hands on the keys when inspiration strikes…and I’ve also used all of the above some some recordings when a grand is not available. And in some instances when the studio grand is not quite up to speed…

ys.com What is your favorite thing about your Yamaha keyboards?

CL: Certainly as I’ve already stated….the realistic sounds. But also the feel and action are excellent, especially given the challenge of getting it into such a small package. The versatility of the different piano, vintage keys and other sounds and the way you can combine them are great features. On some of them, the built in recording option is also very cool and helpful.

ys.com What is a unique feature of your Yamaha keyboard?

CL: Hey…I love all the features!! Today’s technology is just amazing, and Yamaha is always in the forefront. But I’ll say again that the realistic piano sounds are what really turn me on. Being able to get a great piano sound directly into the house and monitor consoles in a rock ’n roll setting gives me the ability to get into the mix easily and comfortably. As we know, micing a grand with a loud rock band can be a real challenge. With the CP series, it’s a piece of cake and the engineers love it.

ys.com: How much programming do you do on your Yamaha keyboards?

CL: I have to admit that I’m not much of a programmer. I do from time to time tweak the EQ or go into the settings to tweak the parameters, but my love is more in the playing than the programming. I usually leave that to the Techs that are so much more capable in that department than I am! But I do always give them guidance as to what I’m looking for…whether it may be a particular sound, a combination of sounds, an effect, whatever. It truly amazes me how far we have come in the digital age….I love it!

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