For each Voice button, you can pick your "Favorite" voice, which gets called up first whenever you hit that button. You can't edit any of the voices;...
There is a way you can get what you want (a footswitch to control Leslie speed), though it'll use up one FC jack for that purpose and be of not a lot ...
Most likely, it was loading Bruno Zucchetti's setup. IIRC, that's a whole setup, and not just a limited set of performances. I believe it also chang...
This is a common problem and can happen with any manufacturer. I agree with Bad Mister: it's a ground loop problem. I also agree that regarding grou...
John, I'm aware of that option. Unfortunately, using that option, we lose some of the CP4's nice features, such as the use of the Split button to tur...
Regarding this: What the original poster is interested in is a way to address both INTERNAL and EXTERNAL devices simultaneously... as if you were add...
Is this possible with the CP4, without the piano doubling the bari sax? Quick answer: No, not without using LOCAL OFF and setting it up on a reasonabl...
Nice interview, with one of my heroes. I'm surprised he said DX7 was his first Yamaha lust, and not CP70. It seems like a natural for him, though ...
Yes, that's normal. It's normal in sampled pianos because it's normal in real pianos. If you think that's bad, you should hear my 1928 Steinway M! ...
Here's how I'd approach it, without the benefit of special software. It takes advantage of the fact that you can save a whole setup, and from it, loa...
What a nuisance it would be to have to program externally all the setups I already have and like on the CP4. Programming everything externally, I can...
Thanks, Maio! I'll definitely keep that in mind.
I'm not talking about creating multiple splits on the fly. I just want to be able to use the CP4's architecture for almost everything, but also have ...