Tutorial#7 - Sweeping With Envelopes Part 1 Before proceeding, some incidental items worth mentioning. Harmonic Density So far, for consistency...

Thanks @BM for posting those Masterclass tutorials. They demonstrate just how incredibly powerful the MODX/MONTAGE is as a Sound Design Powerhouse, w...

Tutorial #6 - Sweeping the Filter Cutoff This is a precursor to using Envelopes. It's important to understand how manually sweeping the Cutoff af...

TUTORIAL #5 - Keyboard Tracking Summary There are some anecdotal considerations when setting the amount of Keyboard Tracking. The first is, 10...

TUTORIAL #4 - Keyboard Tracking Exercises We're going to stick with AWM2 to keep things simple and relevant to Subtractive Synthesis. I may do an F...

TUTORIAL #3 - Keyboard Tracking This can be a tricky subject to get your head around, but it is essential to using Filters effectively. To be c...

The only topic here was a general layman's tutorial in How/What/Why to use Filters on the MODX (& Montage), for the wider MODX User Audience. There we...

Maybe.... what I'm saying (in response to immediate posts after my OP) is that having a Frequency Scale on the "Pictorials" serves no purpose. L...

With all due respect Jason, I must strongly disagree with your last post. There are two "main" scenarios.... Filter not Key-Tracked and Filter 100%...

@Bill, @Andrew.... you can stop your jibber-jabber, Uncle Tony is here to help. 😀 I only know of two Analogue Subtractive Synths, of all the Sy...

just a guess in the meanwhile.... you need to assign the .wav to a drum key. Edit the Drum Part, look down in the bottom right of the screen w...

@Bill... good point. Yamaha and its quirks. C4 is however defined as the pitch @ frequency 261.63Hz, also the "C" immediately below "Concert Tunin...

Talking in circles here. Using a typical 61 Key Keyboard as an example. Out of the box, just powered on, and with no Keyboard Octave Transpose b...