Hello Mitchell - good thinking! Fitting an Arp to a song can be difficult - but fitting a song to an Arp should be simpler. I think! Well worth a go -...

Hello BM and Jason - many thanks! Finally got on with it this afternoon, and golly! - what a choice one has! Makes my one-finger efforts a bit more in...

Hmm! Looks a bit like a cantilever arm to the left of the screen for tilting, but if it doesn't tilt I hope there's built-in compatability with an ext...

Hello BM - this rang a bell when I wrote the question - I have failed to equate 'Motion Sequence' with 'Arpeggios' so I think I've answered my own que...

Hello - side tracked again! Interesting sideline - I'd been half thinking about a form of accompaniment, and a drum track would do the trick ... BUT ....

Hello Tyron - there's another thread on this, called 'FM-X stopped working', in which the 3rd Post is from Bad Mister, which contains the link to his ...

Just launch the darn thing! Tyros 5 + Montage, single mode, 76 keys = Perfect.

Hello Tho - the Init FM-X sound is a pure sine wave, and is designed as a starting point for creating your own sounds by changing the parameters, as J...

Hello BM - No Sir, I followed your Part 1 as you intended, experimenting as I went, as written. Eye-opening! To be sure, I did it all again this after...

Hello Jason - thank you! Those vids are extraordinarily useful - I can match BM's instruction with what's happening, plus there's more infill. Certain...

Hello Jason and BM - thanks for clarifications - basically, it was my layman's failure to interpret 'expert-speak' which is what I had feared - for me...

Hello BM - See the +7 value for OP1 Rate, change it to hear and understand that it is the "depth" control or the amount of application of Frequency c...

Hello BM and Jason - in my little mind I had assumed that 'FM-X' was a whole new ball-game, and that AWM2 stuff didn't apply. Wrong! The Edit Buffer ...