This is a follow-on to my other thread where I showed how simple text data can make the job of analyzing a performance a lot easier.
https://www.yamahasynth.com/forum/m8x-bulk-export-summaries-are-proving-useful-in-examining-performance-content

In that thread I presented text data that shows data for all 67 elements of the CHORDZ 2 CHILL 2 performance and how easy
it was to see just how, when you pressed each key, a key generated a 7 note arpeggio.

Here I show the first run of data trying to show controller assignments for the same performance. It is still zero-based so add 1 to the part numbers and destination numbers to match the actual screen data.

See that 'Master Effect Parameter 1' for destination 5 (really 6)? I explain why it says that and not 'Mfx Break' in one of my other threads where I reported a problem with the correct 'source' not always displaying properly
https://www.yamahasynth.com/forum/m8x-assign-sources-don-t-always-display-the-correct-source-chordz-2-chill-2
.

.
Performance Common Controllers

Dest NO. On/Off Source Destination
0 1 Assignable Knob 1 Part 1 Assignable Knob 1
1 1 Assignable Knob 2 Part 1 Assignable Knob 3
2 1 Assignable Knob 2 Part 5 Assignable Knob 2
3 1 Assignable Knob 3 Part 1 Assignable Knob 4
4 1 Assignable Knob 3 Part 5 Assignable Knob 4
5 1 Modulation Wheel Master Effect Parameter 1

Performance Part Controllers

Part 0 Controllers

Dest NO. On/Off Source Destination
0 1 Assignable Knob 1 Insertion Effect A Parameter 3
1 1 Assignable Knob 2 Element HPF Cutoff Frequency
2 1 Assignable Knob 3 Part Reverb Send
3 1 Assignable Knob 4 Part Variation Send
4 1 After Touch Insertion Effect B Parameter 3
5 1 Ribbon Controller Insertion Effect B Parameter 2
6 1 Ribbon Controller Insertion Effect B Parameter 3
7 1 Modulation Wheel Part Reverb Send
8 1 Assignable Switch 1 Part Portamento Time

Part 1 Controllers

Dest NO. On/Off Source Destination

Part 2 Controllers

Dest NO. On/Off Source Destination
0 1 Assignable Knob 1 Insertion Effect B Parameter 1
1 1 Assignable Knob 2 Insertion Effect B Parameter 4
2 1 Assignable Knob 3 Part Reverb Send
3 1 Assignable Knob 4 Part Variation Send

Part 3 Controllers

Dest NO. On/Off Source Destination

Part 4 Controllers

Dest NO. On/Off Source Destination
0 1 Assignable Knob 1 Part Volume
1 1 Assignable Knob 2 Element HPF Cutoff Frequency
2 1 Assignable Knob 3 Part Reverb Send
3 1 Assignable Knob 4 Part Variation Send
4 1 After Touch Part Reverb Send
5 1 After Touch Part Volume
6 1 Modulation Wheel Part Reverb Send
7 1 Assignable Switch 1 Part Portamento Time

Part 5 Controllers

Dest NO. On/Off Source Destination
0 1 Assignable Knob 1 Oscillator1-3 Out Level
1 1 Assignable Knob 2 Oscillator1-3 Out Level
2 1 Assignable Knob 3 Part Reverb Send
3 1 Assignable Knob 4 Part Variation Send
4 1 Assignable Knob 5 Filter Cutoff EG Attack Time
5 1 Assignable Knob 6 Amplitude EG Release Time
6 1 Assignable Knob 7 Oscillator1-3 Self Sync Pitch
7 1 After Touch Oscillator1-3 Pitch LFO Depth

I'm still trying to figure out the best subset of key data for some simple extracts like the above. The goal is NOT to spit out all of the data
in a massive hierarhical structure.

The goal is to creae several simple sets of text data that give you enough info to know just where to look in the actual performance on the instrument.

I doubt if anyone REALLY wants to scoll through 67 element edit screens to try to sort out what is happening. But that is what we are stuck
with until, hopefully, the ESP offering will deal with that, and other, issues.