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Mastering MONTAGE: Using MONTAGE Connect to Import Performance Patterns

Mastering MONTAGE: Using MONTAGE Connect to Import Performance Patterns
Import Pattern Scenes into your DAW with MONTAGE Connect.
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Mastering MONTAGE: Divide Drum Track in OS v3.0

Want to take a single drum track created in Pattern Sequencer and place all the individual drum kit sounds on to separate tracks? The Divide Drum Track Job does just that!
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Mastering MONTAGE: The Create Roll Job in OS v3.0

In the Pattern Sequencer introduced in MONTAGE OS v3.0, there is a NOTE Job called “Create Roll”. This article shows how it can be put to use to when working with drums or other sounds.

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Mastering MONTAGE: Rhythm Pattern in OS v3.0

Adding a Drum Kit to a Performance could not be easier – introducing the “Rhythm Pattern” function to MONTAGE.

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Mastering MONTAGE: Rehearse and Erase Functions in a Pattern

When you are inspired, nothing kills the flow like the STOP button. These real-time PATTERN Mode functions will help avoid this.

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Mastering MONTAGE: The Wave Folder in OS v3.0

The new Yamaha MONTAGE Wave Folder effect offers a unique type of distortion synthesis perfect for today’s music.

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Mastering MONTAGE: VCM Mini Filter and Mini Boost in OS v3.0

The new VCM Mini Filter and VCM Mini Boost add vintage analog synthesizer character and behavior to the Yamaha MONTAGE.

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Mastering MONTAGE: Quantize in OS v3.0

Quantize functions get even cooler in OS v3.0. This article explains how it all works. 

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Mastering MONTAGE Article Series

Mastering MONTAGE Article Series
The MONTAGE synthesizer is an amazing instrument - from producing EDM to designing specific sounds for a film – or as a creative outlet for your audio dreams
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Mastering MONTAGE: An FM-X Exploration Part 3

Mastering MONTAGE: An FM-X Exploration Part 3
In this chapter, we'll take a look at two more Single PART Performances, each one made from just a simple two Operator stack. These are exactly like the previous examples, with the exception that the Modulator to Carrier tuning Ratio is 1:1 here. It was 2:1 in the previous examples - and this will give us yet another array of timbres we can build - as your ears will tell you. We will apply the same 8 Assign Knob parameters as in the previous examples and, again, show that with just these parameters, we can fashion a very wide variety of initial FM-X waves.
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Mastering MONTAGE: An FM-X Exploration Part 4

Mastering MONTAGE: An FM-X Exploration Part 4
In Part 4 of this series, we are putting it all together!
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