Oh, I see, you're thinking that 1967 KEYS is a single voice that has a built-in split. Yeah, might need something like the John Melas Voice Editor to ...

Unless I missed something, no software is needed for for any of this. Page 16 of the owner's manual tells you how to set a split point, and how to shi...

Okay, so I said "when you play back your performance from your DAW, it will not sound the same as when you played it." You replied, "Yes - you have th...

Wow, Toby... this could be even more limiting than I'd thought. It sounds like, if you're playing the MODX "live" and want to capture your (MIDI) perf...

Roland (e.g. Fantom) has a feature called "Voice Reserve" available for each part, defined as "the number of voices that are reserved for each zone if...

If I understand the situation correctly... Assuming you're *ever* hitting a polyphony limit while playing this Performance, it is likely that the fi...

One of the nice upgrades to the MODX M is that they have changed from the traditional wall wart to the "lump in the middle" style, mated to a figure-8...

I don't have access to the MODX M, but it functions as desired on my MODX, and based on what you said earlier, I think it also functions that way on y...

The Scene buttons of the 1st gen MODX send sysex, not CC, so I guess the answer would be to remap them in the host that ESP is running in.  

There was no quote before that question for context, but I assume you're referring to the first paragraph of the post you were responding to, where I ...

This particular problem is not that old, though, since the Montage M has only been around for 2 years (previous gen didn't have an Octave button on th...

I can't access the MODX M at the moment, to see what MIDI is sent out in different circumstances, but I will assume everything you said is correct. Bu...

Okay, so that is consistent with my MODX M experience. But to me, that indicates it is Yamaha's "Transpose" function at play. which shifts MIDI notes ...