[quotePost id=123234]I'm surprised @Derek hasn't chimed in on the KARMA questions/discussion yet, as he has both a Kronos + Montage, and has used KARM...

[quotePost id=123186]I bought a Kronos and it just sat on the stand. Was essentially a computer in a keyboard box and mine had a fan running and took ...

[quotePost id=123174][quotePost id=123173] I have always liked Yamaha, but in 2014, I gave up waiting for Yamaha to do anything other than a rehash o...

[quotePost id=123170][quotePost id=123168] Compared to the amazing period that gave us the EX5, FS1r, AN1x and VL1/VL70m the Motif might have satisfi...

[quotePost id=123151][quotePost id=123150] That is always a mystery! FDSP has so much unexplored potential, it was criminal why it only ever appeared...

[quotePost id=123149] I personally don't know why Yamaha leaves so much great past stuff on the table - but that's the tradition. [/quotePost] ...

I've not posted here for a long time. I am interested if this FGDP is some sort of evolution of FDSP that was only ever found on the EX5, or wheth...

Thanks for letting me know. Fingers crossed, indeed!

Thanks. 🙂

Case in point is FDSP as found on the EX5 and missing in action ever since. Why develop something that sounds so great and then never build on it?Not ...

I think the pattern sequencer was the best addition they could have made to the Montage; now it's competing with workstations- not just synths. It was...

Some interesting updates, but not sure it is worthy of a 3.0 moniker. More of a 2.6? The extended LFO adding a lot of "analog drift" sounded cool f...

Some interesting updates, but not sure it is worthy of a 3.0 moniker. More of a 2.6? The extended LFO adding a lot of "analog drift" sounded cool f...